29 April 2011

'Killas' By Teri Louise Kelly.

Dahmer.

Green River.




















Milat.





















Ramirez Devil.






















Zodiac.
















BT Killer.

"Teri Louise Kelly? I'm sick of her. So what if she's had four books published, has made a CD and plays bass guitar in a punk band? Tell someone who cares. I definately won't be going to see her ANY DAMNED WHERE, whether she takes her clothes of or not. And now I hear she's writing about vampires? I mean, come on! She'll never win the Miles Franklin with crap like that. And between you and me, I heard . . . wait, okay, I heard she used to be a boy, like, can you believe the nerve of the girl, what does she think we are, artists or what?"

27 April 2011

'Cheap Lawnmowers' by Eric Yoshiaki Dando.

Cheap Lawnmowers

H tells us a story about stealing lawnmowers from the same neighbour. They would always buy another one and then H would steal that as well. They came over, after a little while and said, ‘Look, we know what you are doing. We know you are doing it. You have to stop. We got the insurance company to buy us a new one so this time, don’t steal it.’

‘Okay,’ says H, ‘I promise.’

But then his mate came over and said, ‘Where can we get some money for a little taste?’ So H tells him about the new lawnmower in his neighbour’s shed. H says that he knows where to sell very cheap lawnmowers. H said that he and his mate went 50/50, straight down the line with the money. H is really proud about being honourable in this way with his friend over the money they have earned together.

The next day when H got home the neighbours were waiting for him in front of the house with his parents. They were not happy and they said, ‘Is it true H? Did you steal our mower again?’ But this time H had not stolen the lawnmower. H was with his parents when the lawnmower had been stolen, so they all felt bad for accusing him. Everyone apologised to H for not giving him a second chance and they bought him a bottle of wine because they were so sorry.

‘And the whole family said sorry again and again,’ says H, taking that last little drag of his cigarette, reclining in his majesty, savouring the memory of his cleverness.


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
"Eric Yoshiaki Dando is a twice failed novelist / ericdando.com"

20 April 2011

'Timeless' from Vivi Vargas.

Timeless.

In complete silence, I absorb the moment. Scattered rays of sunlight entering through the curtain opening illuminate your face- I am astounded. The perfection of your features is exposed now more than ever, the way your hair wildly sticks up in every direction- so like you, so unlike the image the world perceives of you. There is a part of you that blurs in the background, in the noise of the busy city; a part that is hidden and is mine alone. You stir- scratch your head absentmindedly; readjust your neck as the gentle humming of the air conditioner carries you deeper into dreamland. Your profound, rhythmic breathing reassures me- it is firm, constant, like us. The touch of your cool skin provokes an intense feeling of completion deep within me.

I close my eyes and open them in what may have been moments, hours, days; your face in endless peace.

"Vivi Vargas is a psychology student hailing from one of the most violent border cities in Mexico. She's a kindergarten teacher for the lack of a better thing to do. Her mother urges her to stop writing because it “confuses” her. She drinks exactly three glasses of chocolate milk every day..."

19 April 2011

Good Intentions / So It Goes by Ali E ... Water Hammer / 4th Day by Ferry Tails.










"Ali E is a singer, songwriter, self-managed artist, publisher, editor, graphic designer and writer. She is director of Tuesday Press which is a publishing and management company that currently looks after Death of a Scenester (magazine) and Ferry Tails (music). She loves promoting creativity!"

18 April 2011

Fuck You / Written Poetry / Contemporary White by Jan Theuninck.

Fuck You by Jan Theuninck
Written Poetry by Jan Theuninck

Contemporary White by Jan Theuninck


"Jan Theuninck is a Belgian artist, born in 1954..."


14 April 2011

'Here is the thing Here is what's connected.' by Steve Finch.


Here is the thing Here is what's connected.

if you wren shore boat. I have a problem, it manifests itself in dreams the way cotton forms a t-shirt or hermit crabs are seen as like hermits. The problem is the way not remembering a dream (that is the dream definitely happened but I can't recall details) makes up my identity more than remembering the dream. Cause sometimes instead of saying the right thing, I will say what I think is the right thing, which will be a phrase full of intent and empty of meaning.

Like the above.
And my crayfish coloured eyes. 







































"Sj Finch is currently studying his creative PhD at Curtin University, and living in a North Perth house with paper-thin walls and carpet stains that he'd rather not think about. His backyard is full of small, furry animals and chickens that he watches during the day, while drinking a cup of milo. He is the current managing editor of dotdotdash magazine. He read Ulysses sometime long long ago and it was really damaging to his health and career. Now he loves scribbles, being awake at 4am, and writing about how writing is inexorably linked to identity, agency, play and awareness..."

'The Hat' from Luca De Simone.

- THE HAT -


A man needs a hat, Jeremiah thought as he changed his shirt. A man needs a good hat even if he isn't exactly a big shot. He looked in the mirror over the sink in the gents toilet. You can still be a large fish in the smallest pond in the world, he thought with a grin. He folded his uniform in a ball, dropped it in the bag with his apron and walked out into his domain - a franchised chicken restaurant in the food court of a medium-sized shopping centre. He had been working in there since relocating to the city four years before, in search of his true path.

He strode through the tables nodding goodbye at the guys of the night shift behind the counter, and headed straight to the accessory shop downstairs.

And that's where his true path had led him. Without stepping up in any way on the professional ladder, and still occasionally cursing and swearing between his teeth against his dead-end job, Jeremiah had acquired during the years a sort of unofficial seniority that allowed him a certain freedom in the restaurant. Very seldom he now took on the twenty kilos of onions that had to be cut every two or three days for the salads. One of the new guys did it. And he could take a break every couple of hours without really asking the manager, but rather informing him that he was off for a cigarette. He enjoyed that status even though in some recess of his mind he was aware that it was that same illusion of freedom that trapped him. It was a leverage on some flaws in his personality he vaguely sensed when he surveyed, during some sleepless night, where and how his life seemed to have left him stranded. But why look for another future-less job, he'd theorise at the first light of day, and start from scratch again? Until an opportunity arose he could stay in a place where nothing could happen that he hadn't seen before. What was wrong with that? He wasn't scared. No. He'd get out of there, sooner or later. He just needed one chance. He'd succeed in something, somehow. Maybe he'd start playing an instrument.

He walked out of the restaurant and across the food court and stepped on the escalator down to the first floor.

He had been mulling over the idea of the hat for a few weeks now, since he had lingered over a black and white picture of a trumpet player in a music magazine. He had visited a few shops and even surfed the web seeking the right hat. A fedora with a particular short, flat brim. And above all a hat that would fit his head, for Jeremiah had quite an impressive head.

He had calculated the exact circumference of his cranium using a silk ribbon found in Helen's stationery box, draping it around his head and then measuring the corresponding section with a folding rule. Sixty-two centimetres, the last frontier in commercial hat sizes. Beyond that, only the tailor-made. Most of the shops didn't even stock that size.

So the restrictions imposed by the width of his head, the particular shape of the hat he was looking for, and a limited budget, gradually turned such a simple desire into a more difficult quest than expected. That's when he noticed the new accessories shop under the escalator in the same shopping centre where he spent most of his waking hours.

He stepped into the small shop and turned at once to the rows of hats against the wall, as the Chinese woman who tended the shop kept on chatting with a man at the front door. Rapidly discarding the beanie and baseball cap section, the cowboy and outback section, and the berets and flat-hats section, he narrowed the choice down to two hats. One turned out to be too small even though it was labelled as an XL size, the second seemed to fit just right.

He was quite pleased by what he saw in the mirror, and was ready for the purchase even though it wasn't exactly what he had been looking for – the brim was a little too wide, and the band came in too bright a light blue for his tastes. He had in mind a flatter shape, rounder. A jazz-player kind of hat.

Then, half-hidden on the rack, he noticed another little pile of hats. He gently removed one and studied its shape. A black felt fedora with a minimal, flat brim and a dark silk band. It was perfect. He checked the sizes trying to curb his excitement, already nudging the idea, like an aching tooth, of having to renounce for lack of centimetres. Then he saw it: XL.

It felt just a little too tight. Nothing particularly bothering. Especially since he was used to hats that, no matter how hard he'd try to pull them down, would sit on the crown of his head like in an old slapstick movie.

Jeremiah heard the woman stepping back into the shop, and on the impulse he tried on the hat standing in front of her, arms dangling at his sides.

“What do you think”, he said with a large grin.

“That's the one”, she said, and turned around the counter to the till.

The woman shoved the hat in a plastic bag.

“I don't need that”, he said. “I'm going to wear it”.

He paid and walked out of the shop wearing a good hat.

At once he felt more lively, striding along with a spring in his step. A new person, wiser, distinguished and street-smart, alert and quick with his wits, and with his hands too. In fact, even slightly dangerous. A good humoured and interesting man, but one you don't mess with. The biggest fish in the smallest pond in the world.

He thought every passing glance he received in the street - a woman carrying some shopping bags, a boy with a skateboard, a man with a regular, boring baseball cap - were meant to say: how cool that hat is! And how well it fits that guy's head and general demeanour!

He walked to the bus stop across the street and tried to catch a glimpse of himself in the glass stand.

“Do you know how long the bus will be?”

He turned around to look at the middle aged woman who had addressed him.

Here we go, Jeremiah thought. People just want to talk to me, I look like an approachable, likeable guy who knows things other people don't, important stuff like the bus timetable and so on.

“I have no idea”, he said, “but I'm sure it won't be too long”.

The woman stepped closer to the stand.

Jeremiah glanced at her from the corner of the eye and decided she was still pleasant-looking.

“I forgot my glasses”, she said.

“Never-mind”, he said, realising the woman had wanted him to read the timetable. “They're not very punctual anyway”.

“Here it comes”, she said. And as Jeremiah looked down the street the bus was pulling over.

He sat near the window so he could take a look at his profile with the hat on. The afternoon light was still too bright, projecting too many reflections on the glass.

Jeremiah pulled out his mobile and, resting his arm on the front seat, looking elsewhere as if following a particular train of thoughts, took a picture of himself.

It sounded like an old camera on slow shutter-speed: C-C-CLACK. The woman who had gotten on the bus with him, sitting on the front seat, turned around and glanced at him.

“Sorry”, he said. “I must have accidentally pushed the button”.

The woman frowned and turned around. He noticed she had greasy hair.

He flipped through the images on the phone.

He hadn't got it right. The picture showed the lower half of his head, with only a minimal portion of the brim, slightly askew, above his eyes. He thought he looked older than he remembered. The skin of his cheeks was floppy like a hound-dog's, and covered by the grey shadow of a two days beard. Behind the glasses his eyes looked small, tired, and also something else he couldn't tell.

I should get a better phone, Jeremiah thought, and put it back in his pocket.

When he gets home Helen isn't there yet. He sits on the couch and turns the TV on, and he must doze off for a minute or two because, next thing he knows, he's startled by the squeak and slam of the front door.

Helen comes in, slightly hunched, carrying three bags of groceries.

“Hey”, she says.

“Hey there”.

She places the bags on the kitchen bench as Jeremiah gets up from the couch, losing his balance for a moment. It feels like a clamp has been tightened around his temples. He realises he's still wearing the hat.

He staggers over to the kitchen trying to smile: “Well, what do you say?”.

“What do I say about what”, says Helen without raising her eyes, methodically pulling out the groceries from the bags.

“How was your day?”

“Pretty bad”, she says, “the girls in the office keep on bitching about each other and I had to work on a spreadsheet all day. How about you?”

“Been going around”, he says, “here and there”.

“Found anything?”

“Not yet”, he says taking off his hat and hiding it under the bench, “but I've left a couple of CV's around”.

She glances at him across the kitchen bench as if about to say something, but she stops short and just stares above his eyes.

“What happened to your head?”, she says.

“Why, nothing”.

“You've got a red mark on your forehead, like you been wearing a helmet or something”.

“I dozed off on the couch”, he says, “maybe the pillow”.

Helen says nothing for a moment, and he finds himself unable to hold her gaze.

Then she goes back to the groceries and he sneaks out of the kitchen and into the bathroom.

He turns on the light and looks into the mirror above the sink.

A red mark runs around his forehead like a Latin inscription etched on the base of the bald dome above it. The light overhead projects a shadow underneath his eyes, which now look more frightened than tired. He can hear the rustling of the plastic bags from the kitchen, so he turns on both taps and sits on the edge of the bathtub.

There's a brown stain on the enamel under the tap, which has been leaking for a long time. He hasn't found the time to fix it yet.

Maybe he'll do it tonight.

He pulls out the clothes from the laundry-basket and drops the hat in. Then he dumps the dirty clothes back on top.

Helen knocks on the door. “Have you finished in there? Can I at least take a bath?”

She keeps on knocking, as if she could go on forever, and Jeremiah doesn't move, he doesn't say a word.

"Luca was born in Rome, Italy and lives in Sydney, Australia. Self-banned from life proper, he excretes stories and photographs of his surroundings..."

11 April 2011

"Wally" by Candace Petrik.

Wally.

Seven today and she hasn’t even had cake. Mumma says they have to stay outside and wait till they hear the sirens. Meredith is sitting under the two trees on the traffic island. The grass is soft and slightly long, thin and wispy enough to be green witch hair. She drags the blanket from the couch, drags her cousin Patrick out too because Mumma will be mad if she has to tell them twice. He puts his red cap on, grey hoodie covering all but the front of it. They play a game: whoever spots the most red cars wins. It takes ages for the first one to drive by because the only thing they can watch is the roundabout in front of them. They’re not allowed to stray to the main road, can hear sirens, but the ambulance won't come their way. They can hear the homeless man, yelling things to the traffic occasionally. He sits where he always does, with his back against an apartment block near the church, legs splayed out on the footpath. They’re not even allowed to say hi but this one is usually quiet, nice. Would sometimes chat with them when they were bored on Sundays. Meredith calls him Wally, because her Dad does. ‘Where’s Wally today?’ he laughs and Mumma says no, please don’t.

The tram grinds down Elgin Street, you can hear but can’t see. Meredith wants to jump on it but doesn't want to be lost wherever it ends up. Caught the wrong bus once with her big sister and nothing about the new place they ended up was exciting. Only after they found the bus back, then caught another that took them home did she decide that maybe she’d like another adventure. Her cousin won’t move from the blanket though, says the ambulance won’t come if he moves. And they’ve been waiting for ages and Grampa will probably die.

‘No he won’t,’ she says, she kicks up dirt with the heel of her slippers, the soft leather already turning darker from the moisture on the grass.

‘He’s gonna die anyway,’ her cousin says. ‘He’s gonna die today.’ She decides Patrick doesn’t deserve to come on any adventure, he’d only make it scary because he’d find all sorts of things wrong with it that she’d rather not think about. He’s only eight; she knows people way older. Her sister is older but she’s like a grown up, is learning to drive. Is allowed to swear because Mumma and Dad say it’s ok and she’ll just do it anyway even if they tell her no. But little kids make God angry if they swear.

‘You don’t know anything, Patrick,’ she says. ‘You only think you know.’

‘I know more than you.’

‘Bull. That’s such bull.’

She wonders what will happen to her princess party if Grampa dies today, if her Mumma will call all the girls from her class and tell them it’s not ever happening. Maybe her Mumma is inside now already, calling them. She wonders if it’s a bad thing that she’s still in the mood to get dressed up. But she already has the plastic silver crown on, even though it looks funny with her spotty pyjamas and woolly jumper. She has the pink dress with all its slinky frills laid out on her bed and you have to get dressed with the things you lay out, because otherwise it doesn’t make sense to put them there in the first place.

Another siren, but this doesn’t come down their street either. It’s been at least half an hour since Mumma called one. Patrick has spotted another red car, it turns their way round the roundabout and heads past them looking for a car park, just like they all do. She realises this game is stupid. The homeless man has started singing, she can hear him even from half a street away because he’s yelling more than actually hitting the right notes like in choir. He sings like how drunk people sing on TV and movies, so the words bleed together and there’s no tune and you can’t even tell what he’s going on about. She doesn’t think she’s seen a drunk person in real life, at least not a singing one.

‘We’re gonna talk to Wally,’ she says. Her cousin looks at her, but doesn’t reply right away. He shakes his head.

‘We’ll miss it.’

‘We won’t miss it stupid, you can hear an ambulance coming from a bazillion miles away.’

Patrick gathers up the blanket and wraps it around himself instead of just carrying it, it drags on the dirt and then the bitumen as they walk. Wally doesn’t notice them, not even when they’re standing right in front of him because he’s singing with his eyes closed. He smells a bit like the bad kids at her school that have shiny, unbrushed hair. They wear the same coats every winter that are stained brown all over, especially on the bums and arm pits and they are either too big or too small. Mumma says be nice to them, but it’s so hard when the kids are mean or quiet or weird, not saying hi back when Meredith talks to them. Wally’s beared is grey and brown and his hair is just as scruffy, his face is brownish in places, like he is developing a crust. Patrick pauses just behind her like a cat who thinks it can turn invisible if it stays still enough.

‘Hi,’ she says, even though she isn’t as brave as she is when he hasn’t been singing. His breath is sweet and warm, like the smells inside a public toilet.

‘Princess,’ he croaks. ‘How are you princess?’

‘I’m seven today,’ she says.

‘So am I!’ he says, then he chuckles at himself. ‘Do you like my song?’

She nods even though she is glad he’s stopped.

‘Special birthday song,’ he says. ‘Special birthday.’

‘It’s not special,’ she says. But she doesn’t tell him about Grampa maybe dying because Mumma says Wally has come from something bad. He’s probably had lots of grandparents die and she doesn’t want to upset him.

She can sense Patrick edging away bit by bit, watching the road for the sign of an ambulance. He reacts every time he hears a car, and when they hear another siren going, he almost twitches.

‘You sick?’ Wally asks him. But sometimes Wally’s so hard to understand, Meredith isn’t sure this is what he’s asked until he wobbles it out a few more times. She shakes her head.

‘Patrick’s just being a baby.’

‘I’m not!’ Patrick says, dropping the blanket and beginning to kick at it. He kicks it and kicks it, so dirt and leaves and twigs become all twisted into the wool.

‘Don’t, you’re wrecking it.’ She kicks his feet to stop him, but he shoves her away. ‘Patrick, don’t!’

‘I wanna go home.’

‘It’s my home, you don’t even live there.’

‘Grampa lives there.’

‘So?” She gives Wally a look, like he might understand how annoying cousins are, especially when you are forced to play with them on your own birthday. But he is murmuring to himself, she can’t tell if this is another song because of how quiet he is, but he is staring at his feet, nodding his head.

She doesn’t know what time it is, but it feels like it’s been ages. Feels like maybe it’s too late to have her party now. If she were having it, her friends from school would be here already. The music would be playing and she’d be eating the fairy bread Mumma started making right before Grampa’s breathing went bad this morning. Her watch is on her bed next to her dress. It’s a special grown-ups one that her Mumma gave her when she woke up; the minute and hour hands are large, with smiling faces drawn on them. She is so angry about the party it takes her a moment to notice that Patrick has started crying. He is standing with his hands in fists, hiccoughing and sniffing, snot and tears mingling down his face.

‘Fine,’ she snaps, but this doesn’t shut him up. ‘I said Fine, Patrick? We can go home, but you’re gonna feel really dumb when Grampa isn’t dead.’

‘You don’t know anything!’ Spit and snot fly everywhere, he shakes his fists. He is blubbering too loudly to be understood now, may as well be yelling made-up words. Baby, she thinks. But then he runs. He sniffles into his hoodie sleave, running as fast as he can towards the house. Meredith is suddenly alone with Wally, who has been watching the whole display like you would something on a TV. When Patrick is gone Wally starts laughing.

‘Stop it!” she cries. She wants to run away too, but there’s nowhere to go but home, with Patrick’s crying and Grampa’s breathing and no party. She claps her hands over her ears.

‘Don’t, Wally! It’s not even funny.’

But his laughing is like his singing, his eyes are closed and he doesn’t listen.

"Candace Petrik is from Melbourne. She is writing about the apocalypse for her first novel and enjoys caffeine..."

04 April 2011

'Thoughts' by Brian Eisner.

I had urgency
I had desire
Desire to be...
To be a revolution.
I was given a somber reality
A reminder of restoration.
A Xanax filled morgue.
Cadavers with more bravery
Than brains.
Brilliance illuminates them
While idiocy creates a vapid eclipse.
The vibrance is lost.
Reproduction becomes murder
And murder regaled
As beauty.
Where do I go?
In a world of static

"Brian Eisner is ageless due to the disillusionment of time, but yet a clock seems to abound over him. He currently is equipping himself with knowledge at Binghamton University, but not through the classes he is taking..."